Vivaldi Jupiter

| Posted on by



Vivaldi jupiter wikipediaVivaldi jupiter wikipediaJupiter

Vivaldi Jupiter Amazon

Juditha triumphans devicta Holofernis barbarie (Judith triumphant over the barbarians of Holofernes), RV 644, is an oratorio by Antonio Vivaldi, the only survivor of the four that he is known to have composed.Although the rest of the oratorio survives completely intact, the overture has been lost. The Latin libretto was written by Iacopo Cassetti based upon the Book of Judith. Vivaldi - Jupiter Dunford. Not a member of Pastebin yet? Sign Up, it unlocks many cool features! Raw download clone embed print report. Antonio Vivaldi - Jupiter (2019) Thomas Dunford. Outlook for mac 2016 удаление. α. In founding the Jupiter ensemble, the lutenist Thomas Dunford wanted to ‘rediscover the spirit of chamber music in the Baroque repertory. Jupiter operates in a kind of fraternity, as if we had always known each other. Vivaldi’s highly contrasted music demands precisely this natural response – almost like improvisation’.

  1. 1.
    Farnace, RV 711: Air 'Gelido in ogni vena' - Lea Desandre,
  2. 2.
    Juditha triumphans, RV 644: Air 'Armatae face et anguibus' - Lea Desandre,
  3. 3.
    Bassoon Concerto in G Minor, RV 495: I. Presto - Peter Whelan,
  4. 4.
    Bassoon Concerto in G Minor, RV 495: II. Largo - Peter Whelan,
  5. 5.
    Bassoon Concerto in G Minor, RV 495: III. Allegro - Peter Whelan,
  6. 6.
    Nisi dominus, RV 608: Cum dederit - Lea Desandre,
  7. 7.
    Juditha triumphans, RV 644: Air 'Veni, veni me sequere fida' - Lea Desandre,
  8. 8.
    Cello Concerto in G Minor, RV 416: I. Allegro - Bruno Philippe,
  9. 9.
    Cello Concerto in G Minor, RV 416: II. Adagio - Bruno Philippe,
  10. 10.
    Cello Concerto in G Minor, RV 416: III. Allegro - Bruno Philippe,
  11. 11.
    Giustino, RV 717: Air 'Vedrò con mio diletto' - Lea Desandre,
  12. 12.
  13. 13.
  14. 14.
  15. 15.
    L'olimpiade, RV 725: Air 'Mentre dormi, Amor fomenti'
  16. 16.
  17. 17.

Vivaldi Jupiter Kritik

In founding the Jupiter ensemble, the lutenist Thomas Dunford wanted to ‘rediscover the spirit of chamber music in the Baroque repertory. Jupiter operates in a kind of fraternity, as if we had always known each other.. Vivaldi’s highly contrasted music demands precisely this natural response – almost like improvisation’. Lea Desandre speaks of a ‘search for colour and almost limitless inflections. This music was the “pop” of the eighteenth century’. The Franco-Italian mezzo, named ‘Révélation lyrique’ (vocal newcomer of the year) at the Victoires de la Musique Classique in 2017, performs arias from operas including Il Giustino, Juditha triumphans, Il Farnace and Griselda, as well as the famous ‘Cum dederit’ from the Nisi Dominus. The programme also includes four concertos, for lute in D major, for lute and violin, for bassoon in G minor and for cello in G minor. In addition to Thomas Dunford on lute, Peter Whelan on bassoon and the cellist Bruno Philippe, also a ‘Révélation’ at the Victoires de la Musique (2018), this flamboyant programme features Jean Rondeau on harpsichord and organ, Cecilia Bernardini and Louis Creac’h (violins), Jérôme Van Waerbeke (viola) and Douglas Balliett (double bass).